"THE ART OF THE STEAL is "An un-missable look at one of the art world’s most fascinating controversies and a celebrated selection of the Toronto, New York and AFI Film Festivals, Don Argott’s gripping documentary THE ART OF THE STEAL chronicles the long and dramatic struggle for control of the Barnes Foundation, a private collection of art valued at more than $25 billion..." to see more about the movie, click here.
The foundation has one of the "one of the finest collections of nineteenth and twentieth-century French painting in the world. An extraordinary number of masterpieces by Renoir, Cézanne and Matisse provide a depth of work by these artists unavailable elsewhere. Established as an educational institution the Barnes carries out its mission teaching classes in its galleries and Arboretum. The Barnes welcomes visitors and students throughout the year."
I was astounded by the number of Cezanne and Renoir paintings!! Imagine, looking at the large number of these all in the same place!! "The Barnes Foundation houses one of the finest collections of French Impressionist, Post-Impressionist, and early Modern paintings in the world, including an extraordinary number of masterpieces by Pierre-Auguste Renoir (181), Paul Cézanne (69), and Henri Matisse (59). The collection also includes important works by Pablo Picasso (46), Chaim Soutine (21), Henri Rousseau (18), Amedeo Modigliani (16), Edgar Degas (11), Vincent van Gogh (7), Georges Seurat (6), Edouard Manet (4), and Claude Monet (4).
Although renowned for its late 19th- and early 20th-century European paintings, the Foundation's collection also includes important examples of American paintings and works on paper, including works by Charles Demuth, William Glackens, and Maurice and Charles Prendergast; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; Medieval manuscripts and sculptures; Old Master paintings, including works by El Greco, Peter Paul Rubens, and Titian; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork."
When I made the reservations I secured the Docent tour. Our docent (tour guide) explained why Barnes positioned his paintings with utilitarian metalworks and furniture pieces. It made each room so much more interesting. The lines of the artwork corresponding with the lines and shapes of the objects. He wanted it just so, to be viewed as a learning experience. And it was. Afterward were free to go through the rooms and study and enjoy each piece.
To learn more about this extraordinarily man and his collection follow this link.
I had a GREAT DAY!
Take care, Bohemian